This past summer at the Marfa Film Festival, I had the honor to the share the screen with this film. Jay Hollinsworth's "The Art of Emptiness," its namesake taken from the song by Torrejón, follows a retired president in Texas who has taken up oil painting. Cleverly using subtle gradient shifts and trembling line work, the film binds together a string of vibrating static shots that betray the bucolic scenery with their sense of unease.
Gathered inside the Crowley Theater, its tin roof trembling against an angry thunderstorm, the audience absorbed the plaintive guitar of the song and the retired president's eyes tightening at the unease of the task before him; What to make of a blank canvas? While raindrops scattered like needles above me, I was thankful for the company of Jay's film, even though it couldn't keep away the storm.